Shūji Terayama’s Emerald World
The haunting symbols of experimental Japanese film, Ori (1962-69)
20 Jun 2012
Ori / The Cage (1962-69) Directed and written by Shuji Terayama. Colour, Silent, 16mm. 11mins.
Avant-garde Japanese filmmaker, poet and playwright, SHUJI TERAYAMA explores our relation to time in this experimental and surrealist short film. Introducing a succession of symbols, Terayama searches for fragments of non-linear time. Shot in 1962, the film cast of characters was almost entirely the same as the film crew.
Text by Sophie Pinchetti.
The world reborn through a polka dot according to Japanese artist Yayoi Kusama
A new project celebrating style tribes, dress cultures, subcultures and communities around the world
A portrait of traditional Indigenous healers from Latin America in this upcoming documentary series
Film as magical ritual: A rare portrait of Kenneth Anger
An interactive Internet artwork initiated by artists Olafur Eliasson & Ai Weiwei
“Be part of the growing community to celebrate how creative expression transcends external borders and internal constraints.”
OPENING THE MULTI-DIMENSIONAL GATES: Imix Jaguar’s festival in the jungle of Palenque for the ending of the Long Count Mayan calendar